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Collaboration > Competition.
THE DREAMERS | Edition 6 - We don't need to do this alone, why collaboration over competition is core to what we’re building, fashion's love affair with Salone de Mobile, and Laurids Gallée’s mesmerizing and sculptural lighting.

✨🪐 THE MAIN POINT
Over the past few weeks, we’ve been sharing the deeper purpose and values behind The Dreamers—what we’re building, why we’re building it, and the values that guide us.
If you’re new here (or just want to revisit the foundation), here are some of the important things we’ve shared so far:
• My personal manifesto + the origin of The Dreamers
• Why connecting across creative industries is only the beginning
• Why questioning the status quo isn’t enough—we need new foundations
• Reclaiming what it really means to be “a creative”
• How crossing disciplines unlocks new ways of thinking and creating
This week, I want to go deeper into one of the values that sits at the core of it all—something I believe is not only central to The Dreamers, but essential to the future of creativity, collaboration, and creative culture:
The shift from competition to community—and the importance of consciously choosing collaboration over competition.
Healthy Competition Isn’t the Problem, Competition Rooted in Scarcity is.
I’ll start by saying this—because it’s important: I don’t believe competition is bad.
In fact, I believe it’s good—for the public, for companies and the free market, and for creators. In the right context, it sharpens ideas, pushes us past stagnation, and invites us to refine our thinking. There’s something especially powerful in idea conflict, in being challenged to elevate your work in the presence of others who are doing the same. I’ve felt that, and I respect that.
But the mindset and model we’ve been operating within for a very long time takes that initial spark and builds an entire ecosystem around it—one that rewards isolation, secrecy, scarcity, and hyper-individualism.
As if the only way to create something meaningful is to suffer through it alone, holding your vision tightly, afraid it might disappear if spoken too soon.
In these systems, competition becomes the proving ground for worth. The justification for burnout. The reason to hoard ideas. The lens through which we begin to see each other not as potential collaborators, but as threats.
And that’s where I part ways with where competition fits into this new blueprint.
When it replaces curiosity with comparison.
When it rewards speed over alignment, and noise over depth.
When it turns creation into a zero-sum game.
That version of building is broken—and I think most of us know it.
Isolation Isn’t Noble—It’s Exhausting
In my career I’ve seen brilliant ideas held too tightly out of fear they’d be stolen or dismissed. I’ve not only seen it, I have been that person.
I’ve also seen people pour their soul into something only to watch it collapse under the weight of doing it alone, and powerful ideas fade out because they were never shared—protected too fiercely, or brought into the world without support, structure, or community.
So much brilliance wasted. Not because the ideas weren’t strong, but because the mindset we were working with wasn’t built for or in a belief in shared growth.
So…
We’re Choosing Collaboration as the New Foundation
This is why The Dreamers is inherently about community-fueled ideation, collaborative problem-solving, and a culture of co-creation—not competition-driven creation. Because while competition might push us, collaboration has the power to expand us—creatively, structurally, energetically, and collectively.
And that’s the kind of expansion I’m here for.
I’ve felt what it’s like to be in a room—physical or digital—where the right people are present, where egos are quiet, and where an idea is met not with performance or critique, but with curiosity, resonance, and the kind of passionate exchange that makes it stronger.
That kind of space changes everything. We’re building this community with that kind of space in mind.
A place where people across disciplines can come together to conceptualize, test, refine, and bring new ideas into form.
Not to compete for space, or posture for recognition—but to create something that’s actually worth building.
With clarity. With purpose. With support.
A culture where the next generation of ideas, companies, and cultural shifts can be born out of connection, not competition.
A New Mindset for a New Path Forward
IAnd while this path might not look like the ones we’ve been told to follow, I believe with everything in me that it’s the one that will take us somewhere real.
Because the future we’re moving toward—the one that feels alive, urgent, and worth building—requires a different foundation. A foundation where ideas are brought into the world through shared energy.
Where insight is exchanged freely.
Where ideas evolve faster because they’re shared.
And where creative potential is amplified, not diminished, by the presence of others.
This isn’t about groupthink. It’s not about softening vision to make others comfortable. It’s about building something stronger through alignment, clarity, and collective intelligence.
It’s about recognizing that when we each bring our full selves to the table—without needing to dominate the room—something greater becomes possible.
Join Us.
If you’ve been holding a vision that feels too heavy to carry alone...
If you’re building something new, and the old models no longer make sense...
If you’re done performing, proving, and pretending you’re fine doing this on our own...
There’s space for you here. We’re building what’s next—and we’re going to do it together.
As always, thanks for reading and for being here,
✨🪐 Teodora
P.S. — you can always reply to these emails or email me directly at [email protected] with feedback, thoughts, ideas, feelings, hopes….wishes…dreams.

If our mission resonates and you want to tap into the ideas and insights we’re sharing here every week, or if you just want to show some good ol’ support, you can subscribe below and get our editions and updates straight to your inbox 👇
CONNECTING THE DOTS | Design x Fashion
This week….
Design Meets Fashion: The Rise of Cross-Pollination at Salone del Mobile
Saint Laurent just announced it would be reviving four rare Charlotte Perriand furniture designs for a special exhibition during this year’s Salone del Mobile, and if we’re being honest it felt less like a surprise and much more like a signal of the times.
“Saint Laurent — Charlotte Perriand,” set to take place at Padiglione Visconti from April 8 to 13, is a bold move in a growing pattern — fashion houses stepping into the world of collectible design, blurring the lines between runway and living room, couture and craft.

Saint Laurent Indochina Armchair reissue by Charlotte Perriand | Image via WWD
As well documented by industry analysts and brand strategists alike, it’s no longer enough to just dominate Fashion Week. Now, brands are claiming a seat at the table — quite literally (sorry, love a good pun) — at Salone, which has become the global epicenter of design innovation and cultural cachet. What once felt like separate spheres are becoming increasingly fluid. And Milan, every April, is becoming the playground where these collisions crystallize into cultural statements.

LOEWE | Weave, Restore, Renew Exhibition | Salone de Mobile 2022 | Image via Loewe.com
In recent years, we’ve seen brands like Loewe turn Salone into an extension of its artistic universe with exhibitions like its woven basketry series or the acclaimed “Weave, Restore, Renew” installation.
And Louis Vuitton’s Objets Nomades series has become a Salone staple, showcasing collectible furniture pieces by global designers through the Maison’s lens of craftsmanship and travel.
![]() via louisvuitton.com | ![]() via louisvuitton.com |
Meanwhile, Dior Maison collaborated with Philippe Starck on the reinvention of the classic Medallion Chair, unveiled during Salone with all the thoughtfulness of a runway debut.
These aren’t just activations — they’re exercises in cultural positioning.
For Saint Laurent, the Perriand revival is brilliant. It doesn’t just borrow from modernist design heritage — it resurrects it, reframes it, and places it under the black lacquered lens of Anthony Vaccarello’s curatorial eye. It's a statement of taste and of legacy. And that’s what these fashion-design intersections are increasingly about: not just products, but presence. Not just aesthetics, but authorship.
Salone del Mobile is no longer just where design insiders go to scout materials, trends, or statement pieces. It’s where luxury brands go to shape the future of lifestyle and find their new, discerning, aesthete customer. It’s where identity, environment, and influence collide — and the walls between industries quietly dissolve.
As we enter this year's Salone, the question isn't whether fashion belongs at the design table. It's who gets to set it.
DO YOU KNOW A DREAMER? ✨🪐
We’re building our tribe of creatives, visionaries, disruptors, future-focused dreamers and doers — if this sounds like someone you know please consider sharing this newsletter and our community with them 🙏🏼
#INSPO | Design That Connects: Laurids Gallée and the Power of Functional Art
There’s something interesting happening at the intersection of art, design, and utility — and Laurids Gallée’s work is a clear example of that shift.
Known for his sculptural lighting pieces made from layered acrylic and geometric forms, Gallée doesn’t just design objects — he creates design experiences. His work is highly visual, emotionally charged, and deeply functional all at once. It plays with pattern and light in ways that feel both contemporary and rooted in something older — almost like modern-day relics made for everyday spaces.
What stands out about Gallée’s approach is how seamlessly he brings together three things: artistic expression, material innovation, and practical use. His pieces don’t need to scream to be seen. They shift the mood of a room by doing exactly what good design should — grounding the space while telling a story.
In a time when we’re all rethinking how we live, work, and create, this kind of design matters. It’s thoughtful. It’s intentional. It reminds us that even the objects we use every day can hold deeper meaning — and that functionality doesn’t have to come at the expense of taste or imagination.
This is the kind of work we’re keeping an eye on — where art meets purpose, where utility meets emotion. Gallée’s lighting isn't just about design trends — it reflects a larger shift toward creating things we live with that resonate on multiple levels.
As we continue to explore how disciplines blur and evolve, work like this helps us highlight the power of connecting dots beyond industries.
More on Laurids Gall and his work via IG and lauridsgallee.com.

15 - 2023 PL - 01, 2023. | Resin, Aluminium, 24V led | via lauridsgallee.com

23 - 2024 Tralucid Chunky, 2024. | Resin | image via lauridsgallee.com
![]() 12 - 2022 Empyrean 01, 2022. | Resin, aluminium, 24V led | ![]() image via lauridsgallee.com |

01 - Roseate Tern, 2025 | Resin, aluminium, 24V led | image via lauridsgallee.com

08 - 2022 Metropolis Sidetable, 2022 | Resin | image via lauridsgallee.com
🎶 🎶 🎶 PRESS PLAY 🎶 🎶 🎶
Before we get into this week’s song and artist, I’d like to share a 100% real testimonial from a loyal playlist listener and Dreamer, eyyyyyy ✨

More music has been added to The Dreamers soundtrack, check check it out if you haven’t already. Click here.
This week’s jam is a personal favorite that’s been on repeat lately.
Good Times - Aéro Jay 💃🏻💃🏻
If our mission resonates and you want to tap into the ideas and insights we’re sharing here every week, or if you just want to show some good ol’ support, you can subscribe below and get our editions and updates straight to your inbox 👇
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